Difference between revisions of "Reviews of Infinite Jest"
WallaceAdmin (Talk | contribs) |
WallaceAdmin (Talk | contribs) |
||
| Line 1: | Line 1: | ||
| − | [[Infinite Jest - Atlantic Monthly Review, February 1996]] | + | February 1996 - '''[[Infinite Jest - Atlantic Monthly Review, February 1996|''Atlantic Monthly'']]''' - Sven Birkerts: "'''Infinite Jest''' comes, in time, to seem like some great clattering vehicle that is powered by a rudimentary three-stroke engine, the narrative passing in steady sequence from Enfield to Ennet to a plateau lookout in the Southwest where two Québecois-separatist agents are having a secret rendezvous, trying to determine how their people might get hold of a particular "cartridge," or film cassette. The film, the eponymous "Infinite Jest," was made by James Incandenza and has the terrifying capacity to send anyone who views it into a crazed state of fixation that quickly leads to death. Why or how this should be is never made clear, nor do we expect it to be." |
Revision as of 21:13, 8 February 2009
February 1996 - Atlantic Monthly - Sven Birkerts: "Infinite Jest comes, in time, to seem like some great clattering vehicle that is powered by a rudimentary three-stroke engine, the narrative passing in steady sequence from Enfield to Ennet to a plateau lookout in the Southwest where two Québecois-separatist agents are having a secret rendezvous, trying to determine how their people might get hold of a particular "cartridge," or film cassette. The film, the eponymous "Infinite Jest," was made by James Incandenza and has the terrifying capacity to send anyone who views it into a crazed state of fixation that quickly leads to death. Why or how this should be is never made clear, nor do we expect it to be."
